
Most studios point a camera. We build the light first — then decide what deserves to stand in it.
Grove Light is a direction and lighting studio working across film, photography, and built space. Every project begins the same way: a study of a single quality of light — its temperature, its angle, the way it falls and what it forgives.
We measure in degrees Kelvin and minutes before sunset. We mix sodium against tungsten, north light against fire. The result is work that feels less photographed than remembered.






“They don’t light a set. They light a feeling and let the set arrive.”

Twelve people, two coasts, one obsession with the hour before the sun gives up.
Founded in 2009 by cinematographer Mara Voss and lighting designer Elias Grove, the studio sits between film craft and architecture. We are deliberately small — every project carries a principal on set.
We keep a working library of 1,400 measured light conditions, from Reykjavík winter to a single church candle. It is the closest thing we have to a house style.
Imagery on the main GroveLight marketing site is sourced from this studio’s operator portrait and environment library — category-matched to each industry, never generic stock.